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Ck2 Change Game Rules



Ironman is a special game rule that disables character switching and manual saving. The game is saved automatically once every 6 months as well as when exiting the game. Achievements can only be obtained in Ironman mode. In Ironman mode, the game over screen only has the option to exit to the main menu.




Ck2 Change Game Rules



Crusader Kings 3 adding gay marriage is something fans had been asking for for years after it proved tricky to even support modding without interacting with the baseline structure of the game. With its recent major 1.5 update, kings and queens, and also queens, can finally get legitimately gay married under the approving eye of the Pope, and Paradox Interactive.


To sum up, gay relationships are always possible, but in some religions, are only accessible through affairs, and carry the same potential for scandal. In religions that approve of same-sex marriage, you can legally marry, and keep it all above board. Because you play as different characters within the same playthrough, you can potentially have these different experiences in the same game.


David Wildgoose is a freelance critic and journalist based in Australia. He has been writing about video games for three decades and was the editor of legendary Australian print magazines HYPER and PC PowerPlay, as well as the Australian edition of Kotaku. He loves Dark Souls and Deus Ex, strategy games and indie games you've never heard of.


It's a port with some adaptation; it's not a complete rethink for consoles. The game you might already know has been squeezed onto a gamepad and slightly enlarged for TV, and though it never quite feels natural, it works well enough to play.


But there are now radial menus which appear with sustained left or right trigger pulls, and bring up various map overlays or character skill trees and things like that - non-essential menus, I'd say. And then quicker trigger-pulls cycle you through more commonly used menus at the top of the screen, with bumper presses taking you through menus within them. There are a lot of menus as you can see. Really, this is a game about menus. And while everything has been made pad-accessible, sometimes it's a bit fiddly getting there.


One control that works particularly well, though, is pausing and speeding up time, which is mapped to the touchpad in the middle of the DualSense controller. Pressing it pauses the game, which you'll do a lot, while swiping left or right slows or speeds up time accordingly. It's great.


What is less great is window management. Closing windows (with B or O) is particularly annoying, as often I need to close windows I want to keep open in order to get back to the ones I don't. Browsing through marriage prospects is an example of where this gets frustrating, because I can't keep all the information I want on the screen without having to go back every time and open the relevant windows again. And every step of extra faff adds up in a micro-management game like this.


All of this means I've finally persevered with Crusader Kings 3. I've soldiered on through the horrible tutorial, which is just an endless barrage of tooltips, more akin to reading a manual than playing a game. And I've made it through those wobbly first years of rule. Now, I'm fairly comfortable, and I can see how easy it is to lose entire afternoons to messing with history.


The other thing that's enormously helpful are Hints. Pushing the right stick in brings up a list of things the game suggests you could do, which changes as you play. You could marry-off one of your children or subjects, for instance, or appoint people to your council, or maybe ransom a prisoner. It's a really useful way of not missing important things that are going on, and of giving you ideas in quiet moments. It's quite possible to play the game almost entirely from this menu if you like.


I've experienced the loss of a ruler and switched to one of his offspring, and then seen what it looks like when a half-brother raises his own claim to my throne. I even accidentally decided to play as the commander I sent to the Middle-East and strike out as a ruler there, converting to the local religion before rightly being turfed out by people who didn't want me to rule them. Changing character shifts the perspective of the game dramatically - it's a great feature.


In other words, I've seen some of the juicy drama Crusader Kings 3 offers. I've pledged my love to someone other than my wife while throwing others in prison for their adultery. I've embarked on murderous plots and ousted backstabbers and would-be challenges to my throne. I've risked experimental surgeries to keep myself alive. This is a game that consistently finds fun little scenarios to keep you busy and keep you thinking. It's a game that finds success in making history human and fun.


Sometimes it's a tricky game to want to play, though. I'm endlessly enticed by the idea of righting the wrongs of history but less so about reenacting the problematic parts of it, like holy crusades or violently taking territory I decide ought to be mine - especially given what's going on in the world today. In many ways, Crusader Kings 3 serves as a bloody reminder of where many of our worldly problems come from. And while some of it seems changeable, like male-only succession and elected rulers, possibly, expansionism seems to fundamentally be the point of the game.


But our history isn't really the game's fault, it's just sometimes hard to enjoy when you feel the game revelling in it (I am no fan of presumably period-themed traits like "homely" for unattractive women and "lunatic" for people with mental illnesses). And sometimes it's unclear where the game stands on it all.


These customizations include Faith Tenets being able to change from Male Dominated, to Equal, Female Dominated, or Inverted. The Spouse Council Position also reflects how queens could rule in the absence of kings, and the Spouce Council Position can grant them duties to perform.


Dynamic game difficulty balancing (DGDB), also known as dynamic difficulty adjustment (DDA) or dynamic game balancing (DGB), is the process of automatically changing parameters, scenarios, and behaviors in a video game in real-time, based on the player's ability, in order to avoid making the player bored (if the game is too easy) or frustrated (if it is too hard). The goal of dynamic difficulty balancing is to keep the user interested from the beginning to the end, providing a good level of challenge.


Traditionally, game difficulty increases steadily along the course of the game (either in a smooth linear fashion, or through steps represented by levels). The parameters of this increase (rate, frequency, starting levels) can only be modulated at the beginning of the experience by selecting a difficulty level. Still, this can lead to a frustrating experience for both experienced and inexperienced gamers, as they attempt to follow a preselected learning or difficulty curves poses many challenges to game developers; as a result, this method of gameplay is not widespread.[citation needed]


[A]s players work with a game, their scores should reflect steady improvement. Beginners should be able to make some progress, intermediate people should get intermediate scores, and experienced players should get high scores ... Ideally, the progression is automatic; players start at the beginner's level and the advanced features are brought in as the computer recognizes proficient play.


Different approaches are found in the literature to address dynamic game difficulty balancing. In all cases, it is necessary to measure, implicitly or explicitly, the difficulty the user is facing at a given moment. This measure can be performed by a heuristic function, which some authors call "challenge function". This function maps a given game state into a value that specifies how easy or difficult the game feels to the user at a specific moment. Examples of heuristics used are:


... or any metric used to calculate a game score. Chris Crawford said "If I were to make a graph of a typical player's score as a function of time spent within the game, that graph should show a curve sloping smoothly and steadily upward. I describe such a game as having a positive monotonic curve". Games without such a curve seem "either too hard or too easy", he said.[1]


Hunicke and Chapman's approach[2] controls the game environment settings in order to make challenges easier or harder. For example, if the game is too hard, the player gets more weapons, recovers life points faster, or faces fewer opponents. Although this approach may be effective, its application can result in implausible situations. A straightforward approach is to combine such "parameters manipulation" to some mechanisms to modify the behavior of the non-player characters (characters controlled by the computer and usually modeled as intelligent agents). This adjustment, however, should be made with moderation, to avoid the 'rubber band' effect. One example of this effect in a racing game would involve the AI driver's vehicles becoming significantly faster when behind the player's vehicle, and significantly slower while in front, as if the two vehicles were connected by a large rubber band.


Andrade et al.[5] divide the DGB problem into two dimensions: competence (learn as well as possible) and performance (act just as well as necessary). This dichotomy between competence and performance is well known and studied in linguistics, as proposed by Noam Chomsky.[6] Their approach faces both dimensions with reinforcement learning (RL). Offline training is used to bootstrap the learning process. This can be done by letting the agent play against itself (selflearning), other pre-programmed agents, or human players. Then, online learning is used to continually adapt this initially built-in intelligence to each specific human opponent, in order to discover the most suitable strategy to play against him or her. Concerning performance, their idea is to find an adequate policy for choosing actions that provide a good game balance, i.e., actions that keep both agent and human player at approximately the same performance level. According to the difficulty the player is facing, the agent chooses actions with high or low expected performance. For a given situation, if the game level is too hard, the agent does not choose the optimal action (provided by the RL framework), but chooses progressively less and less suboptimal actions until its performance is as good as the player's. Similarly, if the game level becomes too easy, it will choose actions whose values are higher, possibly until it reaches the optimal performance. 2ff7e9595c


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